Thursday 30.05.2024, 16:30 @ Mendelsohn Saal, Hochschule für Musik und Theater Hamburg
When hearing the word ‘architecture,’ I imagine blueprints with their precise forms and fine lines. Somehow these images correlate with music: the blueprints of harpsichord construction, the strict lines of counterpoint, the architecture of a fugue. These lines and forms live and develop over time and influence music from the Renaissance to the present day.
Programm:
Giovanni Maria Trabaci (ca 1575, Montepeloso – 1647, Napoli)
Terzo tono con tre fughe
Gagliarda Ottava, et ultima from Ricercate, canzone francese, capricci and others for keyboard instruments, Libro 1, first publication 1603 – Neapel
Ascanio Mayone (ca. 1570, Napoli – 1627, Napoli)
Toccata Terza in g from Diversi capricci per sonare, Libro 2, first publication 1609 – Napoli
Antonia Bembo (c. 1640 – c. 1720), Cantata Lamento della Vergine aus Produzione Armoniche, 1701 for basso continuo and sopran
Marin Marais (1656, Paris – 15 August 1728, Paris), Suite 1 in a Moll from Livre 5 for basso continuo and viola da gamba
Prélude le Soligni – Allemande la Facile – Sarabande – La Mariée – Gavotte – Gigue
Lauri Jõeleht (*1974, Tallin), Chant poliphonyque
Jonatan Sersam (*1986, Malmö), L’architettura dell’alveare, 2024. World premiere
Elena Khurgina, Cembalo
Mariana Pereira Gomes, Gesang
Maja Jarmołowicz, Viola da Gamba
Entrance – free
Elena Khurgina 