Friday 25.04.2025, 16:30 @ Mendelsohn Saal, HfMT Hamburg
Key Figures: Resonanzen, Tasten, Worte
Concert in two parts with music from the 17th to the 21st century for harpsichord, piano, voice, and more in frame of Feminale Festival
Part one: music for keyboard instruments from baroque to nowadays
Moderated and performed by Daria Marshinina and Elena Khurgina
Part two: in conversation with musicians and composers.
Written out and improvised contemporary and traditional music from around the world for voice, harpsichord, tambura.
Participants: Mari Chincharauli, Tamo Nasidze, Hania Miriam Luthufi, Elena Khurgina
PROGRAM
Part I
Élisabeth Jacquet de La Guerre (1665 – 1729)
Suite a Moll from Pièces de clavecin, Livre 1. Prélude — Allemande — Courante — Chaconne (rondeau) — Menuet. (harpsichord)
Maria Teresa Agnesi (1720 – 1795)
Sonata per il clavicemballo F-Dur. Allegro moderato — Minué. (harpsichord)
Ursula Mamlok (1923 – 2016)
Three Bagalles (harpsichord)
Lera Auerbach (*1973)
Images from childhood: An Old Photograph from the Grandparents‘ Childhood, Decision (piano)
Cécile Chaminade (1857 – 1944)
„Souvenance“ aus 6 romances sans paroles op. 76
Fanny Hensel-Mendelsohn (1805 – 1847)
Sonata c-Moll
Allegro moderato e con espressione — Andante con moto — Finale. Presto (piano)
PAUSE
Part II
Tamo Nasidze (*1991, Tbilisi)
The Voices Of Priestesses. Audio-Installation
Kartuli / “ქართული” für Cembalo Solo
Elena Khurgina (harpsichord)
Eka Chabashvili (*1971, Tbilisi)
Dracula’s dream for solo harpsichord, 2024
Turritopsis nutricula’s dream for solo harpsichord, 2024
Mari Chincharauli (harpsichord)
Wilma Pistorius (1991, Belville – South Africa)
Little Things for clavichord, 2017
Mari Chincharauli (clavichord)
Hania Miriam Luthufi (1989*, Sri Lanka)
Improvisation über Yaman raga
Hania Miriam Luthufi (Gesang, Tambura), Elena Khurgina (Cembalo)
Entrance free
Registration required: https://www.eventbrite.de
Elena Khurgina 